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Tue, Nov 04, 2025

Peter De Cupere

bloed4 July 2014 - 31 August 2014

For the expo ‘Bloed’ (BLOOD); artists from ARTISIT are teamed up with Belgian artists and invited to engage in dialogue about the central theme. The resulting installations are presented within the walls of the landcommandery of Alden-Biesen.

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living-tommorowAt living tomorrow a platform for future-oriented art is created.
The presentation of the works is not displayed as in a gallery, but is exhibited in a symbiotic integration with an eye on a future way of life.
The concept of the exhibition "NEXT DOOR" is simple. Our world is changing extremely fast. Next Door is a network-exhibition, a logical answer to our network society.

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invisible-scent-painting-close-up1-72

Marta Intermezzo

 

08.06.2014 – 15.06.2014

Peter de Cupere shows his Invisible (SCENT) Paintings using the scratch & sniff technology. The scent gives in relation to the title of the painting a certain context. Only by scratching the surface and smelling the scent on your fingers you understand the meaning of the title.

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ETCETERA-websmell-my-colour-2-detail-1-web08.05.2014
YOUNGfriendsPLATFORM - Etcetera II

'Smell My Color', a perfumance by Peter de Cupere. 3 Naked women and 3 naked men are perfumed with coloured fragrances. The audience is allowed to smell them. See the video of the earlier version here.

This perfumance is a kind of remaked of the Smell My Colours perfumance in the Lupercalia event ( link) and refers to one of his first perfumances 'Black Beauty' from 1999 in Antwerp and in 2000 in Amsterdam. During this periode Peter de Cupere has realised other perfumances by which he used colors in combination with scents.

Organized by the Yound Friends S.M.A.K..


More info on: S.M.A.K. MUSEUM
Facebook: ETCETERA

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cover-museum15.03.2014 - 06.07.2014

  Museum to Scale 1/7 is a project initiated by renowned Belgian art collector and scholar Ronny Van de Velde and organized by The Baker Museum. Consisting of a collection of close to 70 diorama museum galleries devoted to Belgian artists and art movements, the installation recalls the 17th, 18th and 19th century Wunderkammern, the cabinets of curiosities/wonder, and is also conceived as homage to Marcel Duchamp and his boîte-en-valise and to Grandville’s illustrations for Gulliver’s Travels.

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